Ingrid Bergman and husband Roberto Rossellini home movies on the set of Stromboli, 1950. (x)
"In La Chinoise, Godard makes the point about its being a movie by, among other devices, flashing the clapper board on the screen from time to time, and by briefly cutting to Raoul Coutard, the cameraman on this as on most of Godard’s films, seated behind his apparatus. But then one immediately imagines some underling holding another clapper while that scene was shot, and someone else who had to be there behind another camera to photograph Coutard. It’s impossible ever to penetrate behind the final veil and experience cinema unmediated by cinema.” — Susan Sontag
Juliet Berto and Mireille Darc in Weekend (1967)
Some of Andy Warhol’s erotic male photography.