About a black vegetable soup of hair and teeth
Ingrid Bergman and husband Roberto Rossellini home movies on the set of Stromboli, 1950. (x)

(Source: missavagardner, via shinymcjine)

Floating Weeds (1959) Dir. Yasujirō Ozu

(Source: filmcat, via biokam)

"In La Chinoise, Godard makes the point about its being a movie by, among other devices, flashing the clapper board on the screen from time to time, and by briefly cutting to Raoul Coutard, the cameraman on this as on most of Godard’s films, seated behind his apparatus. But then one immediately imagines some underling holding another clapper while that scene was shot, and someone else who had to be there behind another camera to photograph Coutard. It’s impossible ever to penetrate behind the final veil and experience cinema unmediated by cinema.” — Susan Sontag

Juliet Berto and Mireille Darc in Weekend (1967)

(Source: jacquesdemys)

Dušan Makavejev

(Source: leksikonyumitologije, via awkward-humanbeing)

(Source: romyschneiders, via jacquesdemys)

ohthatoceanicfeeling:

Some of Andy Warhol’s erotic male photography.